
16481 伟大作曲家的文字和音乐 - 穆索尔斯基
Nicholas Boulton
FLAC | 44.1kHz/16bit
专辑价格 : ¥78.00
仅限购买整张专辑
专辑简介:
这张详细介绍穆索尔斯基生平的专辑由Naxos唱片公司出版,由Davinia Caddy撰写解说词,由Nicholas Boulton朗读,同时还配以穆索尔斯基的经典音乐片段,让你在深入了解这位伟大作曲家的创作思想和风格的同时,享受他的美妙音乐。该专辑从穆索尔斯基的出生开始讲述,描绘了他从贵族家庭的军官到自学成才的音乐家的转变,以及他如何与其他四位志同道合的作曲家一起,形成了被称为俄罗斯民族乐派“五人帮”的群体,致力于创造出具有俄罗斯民族特色和现代风格的音乐。专辑还详述了穆索尔斯基在其最具创造力和多产的时期,创作的多种类型和风格的作品,包括歌剧、管弦乐、钢琴曲、歌曲等。并且,该专辑也展示了穆索尔斯基晚年所遭受的贫困、酗酒和抑郁等困扰,以及他去世后的对其他作曲家的影响。专辑中的音乐片段选自穆索尔斯基的一些最知名和有影响力的作品,例如《图画展览会》、《荒山之夜》等。这些音乐片段展示了穆索尔斯基对俄罗斯历史、文化和音乐的深刻理解和独特创新,以及他对于古典主义、民间舞曲、东方文化和音乐的独特兴趣和探索。通过这些音乐片段,你可以感受到穆索尔斯基的音乐语言是如此的丰富和独特,他的音乐形象是如此的生动和鲜明,他的音乐情感是如此的真挚和强烈。这张专辑既具有教育意义,又具有高度的欣赏价值。它不仅让你了解穆索尔斯基这位伟大的作曲家,还让你感受到他作为艺术家的伟大魅力。
艺术家简介:
达薇妮亚·卡迪(Davinia Caddy)是一位享有声誉的音乐学者和教授,她在剑桥大学获得了音乐博士学位,并在牛津大学完成了她的博士后研究。目前,她在新西兰奥克兰大学的音乐学院教授音乐历史、理论和分析。卡迪的研究兴趣主要集中在19世纪和20世纪的欧洲音乐、舞蹈、戏剧和文化,以及音乐与身体、性别、感觉和情感的关系。她的作品包括多本音乐相关的书籍和文章,其中《俄罗斯芭蕾舞团及其之后:巴黎美好时代的音乐与舞蹈》(由剑桥大学出版社于2012年出版)获得了广泛的赞誉。此外,她也参与了一些音乐节目和广播的制作,包括《如何聆听古典音乐》。
尼古拉斯·博尔顿(Nicholas Boulton)是一位英国的演员和配音员,他在伦敦的吉尔德霍尔音乐戏剧学院接受了表演的教育。他的演艺生涯跨越了舞台、银幕和广播,曾在众多英国戏剧制作中扮演重要角色,包括皇家莎士比亚剧团、阿尔梅达剧院和皇家国家剧院的演出。博尔顿的电影和电视剧作品包括《莎翁情史》、《权力的游戏》和《诅咒》等。此外,他也是一名知名的视频游戏配音员,曾为《龙腾世纪2》、《星球大战:前线2》、《刺客信条》、《质量效应:仙女座》、《地狱之刃:塞娜之献祭》、《最终幻想14》、《杀手》、《富贵人生》和《杀戮地带》等多款热门游戏提供过声音。
曲目列表
# | 曲目 | 时长/大小 | 试听 | ||
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1 | Introduction | 00:00:08 0M |
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2 | Pictures at an Exhibition: IV. Bydlo (excerpt) | 00:00:51 2M |
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3 | Recalling his time spent in Berlin in the 1830s, the Russian literary critic Pavel Annenkov declared"Every Russian newcomer was wryly asked whether he wished to stay in Berlin and…" | 00:02:40 6M |
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4 | Kamarinskaya (excerpt) | 00:00:54 3M |
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5 | If Glinka was the fountainhead of Russian music, his offspring - in a musical sense - included Mily Balakirev, César Cui, Nikolay Rimsky-Korsakov, Alexander Borodin and Modest Mussorgsky… | 00:04:23 10M |
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6 | Intermezzo in modo classico (1867 version for piano) (excerpt) | 00:01:31 4M |
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7 | Modest Petrovich Mussorgsky was born on 21 March 1839 into a wealthy, land-owning family in the provincial town of Karevo, situated in the Pskov district in the north-west of Russia… | 00:01:49 4M |
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8 | Porte-enseigne Polka (Ensign-Polka) (excerpt) | 00:01:08 3M |
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9 | After being commissioned an officer in the elite Preobrazhensky Regiment of the Imperial Guards, Mussorgsky met a group of musicians with whom he would be forever associated"The Five"… | 00:01:54 4M |
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10 | Scherzo in C-Sharp Minor (excerpt) | 00:01:13 4M |
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11 | Another personal crisis appears to have occurred a couple of years later, in the summer of 1860, while Mussorgsky was staying at the rural estate of the Shilovskys, a St. Petersburg couple… | 00:02:07 4M |
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12 | Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum) (excerpt) | 00:00:51 2M |
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13 | Another extract from Mussorgsky's Pictures at an Exhibition, this a movement titled Catacombs… | 00:01:49 4M |
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14 | Seminarist (The Seminarist) (excerpt) | 00:01:24 5M |
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15 | The following year, 1867, Mussorgsky finished an orchestral project that he seems to have had in mind for several years. This was the now-popular tone-poem Night on Bald Mountain, a work that… | 00:01:09 2M |
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16 | St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (original version) (excerpt) | 00:00:46 3M |
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17 | That Mussorgsky never heard his tone-poem in performance is perhaps not surprising, given the work's immediate reception… | 00:02:27 5M |
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18 | Zhenit'ba (The Marriage), Act I Scene 1: Vot tak nachnyosh etak (Here is how you start) | 00:01:41 5M |
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19 | Despite his bold proclamation of his compositional intentions in Marriage, Mussorgsky would go on to call the opera a mere preparatory exercise"an experiment in dramatic music in prose"… | 00:04:14 9M |
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20 | Boris Godunov, Prologue Scene 1: Introduction (1869 version) (excerpt) | 00:01:14 4M |
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21 | A final passage from Boris Godunov furnishes another example of a folk-inspired musical style… | 00:01:01 2M |
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22 | Boris Godunov, Act IV Scene 1: Lejtes', lejtes', slëzy gor'ki (Flow, bitter tears) (1869 version) | 00:01:58 8M |
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23 | Here at the end of the opera, Mussorgsky paints a sorrowful picture… | 00:02:57 6M |
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24 | Khovanshchina, Act I: Introduction (excerpt) | 00:02:20 9M |
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25 | At the time Mussorgsky was working on Khovanshchina, Boris finally premiered at the Mariinsky… | 00:02:12 5M |
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26 | Pictures at an Exhibition: Promenade | 00:01:15 3M |
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27 | In between the seemingly happenstance occurrences of Mussorgsky's Promenade theme are movements that function as personal reminiscencesnot the kind of dispassionate musical observations that… | 00:00:45 1M |
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28 | Pictures at an Exhibition: II. Old Castle (excerpt) | 00:00:47 2M |
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29 | Yet, as with Boris Godunov, Pictures at an Exhibition features contrasting styles… | 00:00:34 1M |
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30 | Pictures at an Exhibition: V. Ballet of the Chickens in their Shells | 00:01:14 3M |
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31 | 1874 was a busy yearbesides working on the Pictures suite and Sunless songs, Mussorgsky started another musical project, one that - like the opera Khovanshchina - would also be left unfinished… | 00:03:07 7M |
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32 | Pesni i plyaski smerti (Songs and Dances of Death): No. 3. Trepak (arr. E. Denisov for voice and orchestra) (excerpt) | 00:01:53 7M |
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33 | Mussorgsky started work on his Songs and Dances of Death in the first half of 1875, but the cycle was not finished until June 1877… | 00:02:07 5M |
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34 | Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea" (excerpt) | 00:00:59 2M |
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35 | Following Mussorgsky's dismissal from government service on 13 January 1880, the composer made further appearances as Leonova's accompanist… | 00:05:48 13M |
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36 | Pictures at an Exhibition: X. The Great Gate at Kiev (excerpt) | 00:02:05 7M |
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